JOURNAL OF SPORTS SCIENCE & MEDICINE
http://www.jssm.org
 
Research article
 

THE INFLUENCE OF MUSICAL CADENCE INTO AQUATIC JUMPING JACKS KINEMATICS

Mário J. Costa1,4, Cristiana Oliveira4, Genoveva Teixeira4, Daniel A Marinho3,4, António J. Silva2,4 and Tiago M Barbosa1,4

1Department of Sport Sciences, Polytechnic Institute of Bragança, Bragança, Portugal, 2Department of Sport Sciences, Exercise and Health, University of Trás-os-Montes and Alto Douro, Vila Real, Portugal, 3Department of Sport Sciences, University of Beira Interior, Covilhã, Portugal, 4Research Centre in Sports Science, Health and Human Development, Vila Real, Portugal

Received   04 February 2011
Accepted   02 August 2011
Published   01 December 2011

© Journal of Sports Science and Medicine (2011) 10, 607 - 615

ABSTRACT  
The aim of this study was to analyze the relationships between the head-out aquatic exercise "Jumping jacks" kinematics and the musical cadence in healthy and fit subjects. Five young women, with at least one year of experience conducting head- out aquatic programs were videotaped in the frontal plane, with a pair of cameras providing a double projection (above and below the water surface). Subjects performed an incremental protocol of five bouts (120 b·min-1, 135 b·min-1, 150 b·min-1, 165 b·min-1 and 180 b·min-1) with 16 full cycles of the "Jumping jacks" exercise. Data processing and calculation of upper limbs' (i.e. hands), lower limbs' (i.e. feet) and center of mass' 2D linear velocity and displacement were computed with the software Ariel Performance Analysis System and applying the 2D-DLT algorithm. Subjects decreased the cycle period during the incremental protocol. Significant and negative relationships with the musical cadence were verified for the center of mass and upper limbs vertical displacement. On the other hand, for the lower limbs lateral velocity, a significant and positive relationship was observed. It is concluded that expert and fit subjects increase the lower limb's velocity to maintain the range of motion, while the upper limb's displacement is reduced to coupe the music cadence.

Key words: Aquatic jumping exercises, simultaneously actions, music rhythm, range of motion, segmental velocity.
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